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Albrecht Durer The Women's Bath oil painting reproduction


The Women's Bath
1496 Pen, 231 x 226 mm Kunsthalle, Bremen Weak in its perspective and not yet quite clear in its representation of forms, this drawing nevertheless possesses significant qualities: a strong feeling for corporeality and for rich configuration. Form is suggested by light, jumping strokes of the pen, with the vagueness typical of the early period. A painterly effect is sought in the darkness of the wall and ceiling, in which the grain of the wood is disproportionately emphasized, as in the art of the primitives.Artist:D?RER, Albrecht Title: The Women's Bath Painted in 1501-1550 , German - - graphics : study
new21/Albrecht Durer-353345.jpgPainting ID::  63679
 

 

 
   
      

Albrecht Durer
  
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
The Women's Bath
1496 Pen, 231 x 226 mm Kunsthalle, Bremen Weak in its perspective and not yet quite clear in its representation of forms, this drawing nevertheless possesses significant qualities: a strong feeling for corporeality and for rich configuration. Form is suggested by light, jumping strokes of the pen, with the vagueness typical of the early period. A painterly effect is sought in the darkness of the wall and ceiling, in which the grain of the wood is disproportionately emphasized, as in the art of the primitives.Artist:D?RER, Albrecht Title: The Women's Bath Painted in 1501-1550 , German - - graphics : study

Related Paintings to Albrecht Durer :.
| Caspar Netscher, Dutch (active Arnhem, Deventer, France, and The Hague), 1639-1684 -- Chaffcutter with His Wife and Child | Les Andelys, by Paul Signac, from C2RMF | Luca Giordano (follower of) - Samson and Delilah | Johannes Bosboom - The Interior of the Bakenesserkerk, Haarlem | Hubert Robert--Young Artists in the Studio | | Caryatid | The Raft of the Medusa (sketch) (mk09) | Sarah Siddons and John Philip Kemble in Macbeth | Small Butterfly | The Port of Boat |


        

 

 

 

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